Layouts and roughs, as many passes as it takes.
Brush and nib. No filters standing in for a line.
Flats, rendering, and halftone where it belongs.
Balloons placed by hand, because reading order is design.
Issue 39 is the best single thing you have printed and I will not be arguing about it.
The lettering in Salt did more work than the script. Somebody should say so.
I bought two copies so I could keep one shut.